2 years ago
Friday, March 12, 2010
One of the requirements of the Topaz award for the Merit program is to hook an early McGown pattern. To learn more about McGown patterns, I found (on the internet) an old copy of Pearl McGown's book "YOU . . . can HOOK RUGS". It was reprinted in 1953 and smelled like it had been in someone's basement since 1954, but I read it anyway to learn more about the woman and her patterns.
Pearl was definitely my kind of woman! In 1930 she hooked her first rug and took off running from there. Although she loved hooking, her interest was more into creating patterns (she had well over 1,000) and her business had gotten so big that she enlisted help from her son, two sisters, and her father-in-law. She bought the larger house across the street (she named it the 'Rose Cottage') just so that she could hold her patterns and swatches, and have a place for hookers to get together and share their rugs and discuss the aspects of technique, color, and teaching others. She and her helpers would hand draw on burlap the patterns that she designed.
Pearl McGown was very much into an artistic effect when hooking a rug. She realized that the only way to achieve this effect was to use a graduation of hues to hook flowers, leaves, or to accentuate a scroll, all with using fine cuts of wool. Her book is a wealth of information! She covers all aspects of rug hooking, my most favorite is the drawings which illustrate where to put each value in different leaves and flowers to help you 'see' that particular item in a realistic way. It is such a shame that the majority of the beautiful rugs in the book were not in color. However, the ones that are were beautiful.
For my project, I chose one of her chair pads that I squared off for a pillow. Recently, our rug hooking group offered a workshop with Nola Heidbreder, a certified McGown teacher, so she helped me with my pillow. Nola is a fabulous teacher! She is so into the 'fun' aspects of hooking and embellishing. So I wouldn't miss out on the fun, I would hook on my pillow for a few minutes then go and do some of her fun things she taught us in hooking. If you EVER get the chance to have a class with Nola, I HIGHLY recommend her. Anyway, I got the jest of hooking the McGown way. There is a lot to learn and my attempt is puny at best in comparrison to rugs in Pearl's book. I used a #4 cut with some of the Palette Dyed swatches I dyed from April DeConick's virtual class "Palette Dyeing' on RUG HOOKING DAILY.
I may also get credit in the Garnet Award for using a fine cut. I'll check on that.
Thursday, March 4, 2010
I have finished the Grenfell style mat. I love the style (straight rows across), but do not like working with the flannel strips as much as I like working with wool strips. Wool is so much more forgiving and fills in and fluffs out to make a more smooth look whereas flannel stays put where it is hooked. Even after a little steaming, it just stays where it is. Also, it is not as soft to the touch or to stand on. It does seem very durable and if it were not for the burlap that was used, I think it would last a very long time. I do like the fact that the Grenfell style looks as pretty on the back as the front. (I think I remember reading that the Grenfell mats were mostly used with the back side showing and then flipped over to the front side for guest or special occasions.) I would love to do another rug using the Grenfell style in wool strips and on an even weave linen canvas.
Moving on, I have started reading about Pearl McGown and I am hooking one of her original patterns.